The First Quarter Moon (sq. the Scorpio Solar) delivers a stunning immediate that urges you to step again from a matter you’ve got develop into obsessive about. You are in deep however it is time to come up for air. A long way is required so you possibly can re-orient your self. Or, possibly it’s essential to let go altogether.
It will really feel uncomfortable and will even improve the fixation plus your dedication to drill down and push these internal limits. However on the similar time you sense that is too heavy and also you’re getting a bit misplaced. Loosen your grip and permit the shock to tug you again. Perhaps it is a harsh discovery or a chilly splash of readability.
Venus sq. Neptune may definitely use some readability. The expansive attraction, romance or rose-coloured view of what might be is popping out to be false. That is the disaster of superb potential or goals that drain the color out of your actual life. There’s an unattainable, heightened imaginative and prescient – the dream lover, the attractive promise, the urge to provide all of it away in a rush of idealistic compassion. The great thing about what you possibly can’t have. The perfect is so elevated it is going to by no means be achieved. You find yourself feeling empty, upset.
This sounds harsh however sadly a sq. to Neptune at all times brings disappointment. There’s stress right here and it is created by the attain for one thing that is not actual. Cease reaching and step away – use the First Quarter Moon power to detach and actually take a look at what you’ve got pining for/hoping for.
The Sag/Pisces combo additionally implies a craving for escape. However the stress between man-made beliefs/hopes vs pure, transcendent power that lies past something we will give you creates an limitless longing for ….one thing extra. And that is maybe the one good factor that may come from this sq. – the stressed craving for what can by no means be achieved pushes artists and seekers to create lovely works whereas realizing there may be a lot greater than what we see and contact and squabble over. And that realization, when correctly channeled, opens conduits and faucets into one thing divine.
Portray by Elliott Daingerfield